To cleanse and purify the statue so that it might become a suitable and permanent dwelling-place for the KA was the object of the first ceremony. The SEM priest took up a vessel filled with clean water,
in which salt or soda had been dissolved, and poured it into a bowl which was held in the hands of an assistant. He next walked round the statue four times, sprinkling the salted water on it on all sides, or perhaps washing portions of it, and meanwhile the Kher heb said four times:--
"O Osiris, everything which is hateful in Unas hath been carried away for thee; for that which was uttered in his name of evil hath Thoth come, and he hath carried it away to Osiris. I have brought that which was spoken in the name of Unas of evil, and have placed it in the palm of thy hand. The SA shall not be separated from thee, and thou shalt not be separated from it."
From the way in which Osiris is mentioned in this passage it is clear that the cult of this god was general in Egypt when this Liturgy was drawn up, and that be was already recognized as the god of the dead. The effect of the sprinkling of water over the statue, or the washing of it with water, was to remove the sins of the deceased from him, and to cleanse his body and Ka. There can be no doubt that the Egyptians in all periods attached very great importance to the use of water ceremonially, and there is good reason for believing that they regarded it as one of the principal sources of life since the gods were created from water, and Nu, the great god of the celestial deeps, was the father of the gods. They believed that water possessed a mysterious power which made itself manifest under the form of life, and it may be noted in passing that, in the scenes in which Thoth and Horus are pouring out water over the heads of kings, the water is indicated by series of ankh signs , i.e., "life, life, life." Dümichen has already in this connection pointed out the fact that in the "Tale of the Two Brothers," Anpu put the heart of
his younger brother Bata into a vessel of water; when the heart had absorbed all the water it came to life. Water not only washed away sin, but gave new birth and life to the dead.
The Gnostics, who preserved many ancient Egyptian beliefs, attached great importance to the use of water ceremonially, and, according to Irenaeus (Haeres, 1, 2, § 5), they threw oil and water over the heads of the dying to make them invisible to the powers of darkness. The ancient Egyptians certainly dissolved salt, or soda in some form, in their "holy water," and it is probable that they pronounced some formula over it before sprinkling it upon the dead. The sprinkling of the dead was the first and most important of burial ceremonies among the Egyptians for thousands of years, and it is probable that it was adopted, under the name of baptism of the dead, by many sections of the Christian Church. For centuries certain Christians actually baptized the dead, and they continued to do so in spite of the prohibitions of many Councils.
The exact meaning which is to be attached to the word tu or "evil" is not quite clear; 1 it was certainly connected with the words of Unas, but whatever it was this "evil" was carried to Osiris by Thoth. Here we see Thoth acting as a sort of advocate for Unas with Osiris, and playing his part as the "lord of divine words," and author of holy books, with which we are familiar from the texts of the Theban Recension of the
[paragraph continues] Book of the Dead. In the Judgment it was he who "weighed words," and who weighed the heart of the dead man in the Great Balance, and reported the result to Osiris. It is the "words" of Unas which are in question here, and in Egypt both gods and men judged a man by his "words." The sprinkling of the water caused Thoth to carry the words of evil uttered by Unas, and place them in the hand of the god.
The words which were said by the Kher heb here, as in many other places in the Liturgy, were to be repeated four times. The Egyptians divided the earth into four quarters, over each of which a god presided, and in order to secure for the dead permission to move about freely through these quarters of the world, formulae, whether of blessing or of banning, were repeated four times, once for each god, and certain offerings were made in quadruplicate. The gods of the four quarters of the world at the time when this Liturgy was drawn up were Horus, Set, Thoth, and Sep, and they were probably the gods of the four cardinal points also. Later, however, their places seem to have been taken by the four sons of Horus, Mestha, Hapi, Tuamutef and Qebhsennuf, each of whom presided over one of the four pillars that held up the sky. The priest by walking round the mummy or the statue four times, and sprinkling water as he went, bestowed upon the Ka the power to journey into all parts of heaven and earth, and made him a pure being in respect of the four gods of the four quarters of the earth.
At the end of the first formula quoted above come the words, "The Sa shall not be separated from thee, and thou shalt not be separated from it." By the word Sa, the Egyptians understood that mysterious energy and life-giving power which existed in the gods, and which for want of a better name we may call the "fluid of life." Its source was the Sun-god, by whatever name he is called, Horus or Ra, and Ra, in the text of Unas 1 is said to be "Sovereign of the divine Sa". The gods and goddesses received this Sa from Ra and communicated it to those whom they loved upon earth. According to M. Moret. 2 the fluid of life could be transmitted from the being who possessed it to the person to whom it was desired to transfer it, by embracing that person and by making "magnetic passes" along the back. M. Maspero also describes the Sa as a sort of "magnetic fluid," or "aura," which could be transmitted to a person by laying hands on him, or by making passes over the nape of the neck or the spinal column. The phrase setep sa means something like to "make passes." The Sa was transmitted to a king from the statue of a god by placing the arms of the statue round him, and by laying one of its hands on the nape of his neck as he knelt before it. 3
[paragraph continues] When the statue had exhausted the store of the power which was in it, it was able to obtain a fresh supply from the Other World. The object of making passes before the statue of the dead, or his mummy, was to give a place in the fore-front of the company of the KHU, or "Spirits," in the Other World. This is certain from a passage in the text of Pepi I., wherein it is said, "The passes by which he obtaineth the fluid of life having been made over him by [Ra] and Horus, he is at the head of the KHU" (l. 695).
44:1 Maspero renders it by Mauvais.
46:1 Line 562, Suzerain de la vertu divine. Maspero.
46:2 Le Rituel du Culte divin journalier, Paris, 1902, p. 99.
46:3 Contes Populaires, p. 165.