Sacred Texts  Index  Previous  Next 

sacred-texts |  Web | Powered by Google


Internet Book of Shadows, (Various Authors), [1999], at sacred-texts.com


 
      
 
                                      BELTANE 1987 
 
                               Coven of the Serpent's Eye
 
 
      Declamation:                            Rufus Harrington
      Invocation of the Young God:            Prudence Jones
      Invocation of the May Queen:            Rufus Harrington
      Responses to the invocations:           Paul Greenslade and
                                              Jacky Salter
      The Blessing of Love:                   H. Rider Haggard
      The Union of God and Goddess:           Rufus Harrington and
                                              Julia Phillips
      The Beltane Charge:                     Julia Phillips
 
 
       Temple set up as follows:
 
      Altar set up, and ritual weapons as usual
      One extra sword
      One extra chalice of wine and dish of cakes
      Candles and incense
      Maypole in the centre of the Temple
      Green Cord
 
       Roles:
 
      HPS#1               Blessing the Union
      HPS#2               Invocation to the God
      PS#1                The May Queen
      PS#2                Swordbearer
      PS#3                Swordbearer
      PS#4                Handmaiden
      HP#1                Declamation, invocation to the May Queen and .
                          Blessing the Union
      HP#2                The Young God
 
          Casting the Circle:
 
      All present will be purified and consecrated, and the circle will .
      be cast by the HPS and HP.
 
      The HPS and HP will ask everyone to assist in the invocation to .
      the quarters. Those who have athames should collect them from the .
      altar at this point. After the Northern Quarter has been invoked, .
      the group should all face centre while the HPS performs the .
      invocation to Spirit.
 
      This completes the casting of the circle.
 
                                                                             1744
      
 
 
          THE RITUAL
 
      The ritual will commence with a meeting dance. Everyone should .
      link hands (male/female as far as possible), and move slowly in a .
      deosil motion following the chants initiated by the HP and HPS. 
      When she feels the time is right, the HPS will break the circle, .
      and lead everyone in a meeting dance, where each man and woman
      kiss as they pass. When everyone has greeted one another, the .
      circle will be re-formed by the HPS, and finish with the EKO .
      chant. 
 
      HP#2 and PS#1 will stand at the maypole, facing the altar.
      HPS#2 will stand at the altar facing them, and the rest of the .
      group will seat themselves around the maypole in a horseshoe .
      shape, with the end nearest the altar left "open". HP#1 will read .
      the declamation:
 
 
           Deep within the dream of silence
           Blood and passions born beyond,
           Gather at the serpent's calling,
           Echo to its siren song.
 
           For deep within the cauldron's darkness
           Two hearts ache to join as one,
           Must answer to the serpent's laughter;
           Dance within its spiral song.
 
           For blood is called, and passions gather:
           Drum beat rhythms call the blood
           To dance the paths of passion's power,
           To sing for joy, for life, for love.
 
           Within the shadows of a clearing
           Deep within the silent green,
           Revealed through a veil of moonlight,
           Caught beside a crystal stream.
 
           A woman from the land of beauty
           Dances in the silver light,
           Entranced within a web of silver
           Woven by the serpent's light.
           The serpent's laughter, song of shadows,
           Echoes through the spinning web,
           Weaving dreams with songs of silver,
           Calling sacred fires long dead.
 
           Within her body, flames awaken
           Beauty and her passions need
           Power and a desperate yearning,
           Calling to the serpent's seed.
 
                                                                             1745
      
 
           Within the ancient forest shadows,
           Roots and boughs that weave and dream,
           re-echo to the serpent's laughter,
           Weaving webs of dancing green.
           
           The serpent's song now calls the Hunter;
           Beast Lord, Master of the Woods.
           Calls the Stag Lord from the shadows,
           Woodland's Master, Lord of Love.
 
           She dances now, her passions spiral,
           Calls her love into the night;
           He flies upon the wings of laughter,
           Led on by her silver light.
 
           Flesh and sinew, man and muscle,
           Loins that ache now hear her call.
           She hears the Hunter's horn of power,
           Hears his cry and hunting call.
 
           The Stag Lord stalks within the clearing,
           She turns to flee, but cannot run.
           Transformed she spreads herself for passion,
           Calling with her silver song.
           
           Both their bodies rage with passions,
           Beasts now dance within their blood.
           Their eyes now flash with love's own lightning
           As flesh now kindles warm for love.
 
           Her thighs remember mothers' movements,
           Moments from her mother's birth,
           Cries of silver golden laughter
           Plough within the fertile earth.
 
           Their song and cry a single moment,
           Pain, and yet a single joy,
           As Earth unites a single sunlight
           Lust fulfilled, reborn as joy.
 
 
          HPS#2 will now perform invocation to the Young God:
 
      God of the meadow, God of the hill,
      God of the sap and of our true will:
      Thee I invoke as Spring awakes,
      Thee I invoke as the blossom breaks.
 
      Come young God, come come with the fire,
      Lissome and leaping, alive with desire.
      Come with the pipe and come with the drum,
      With the heartbeat's pounding, come God come!
 
                                                                             1746
      
 
      O seeker of joy, O hunter of pleasure,
      Come enter the ring, tread the pagan measure.
      Be here in Thy servants, be here in Thy Priests,
      Be here in the flesh, and join in the feast!
 
      Io Pan, Io Pan, Io Pan Pan Pan, etc.
 
      Young God responds:
 
           "Response"
 
      HP#1 will now perform the invocation to the Goddess as May Queen:
 
           "Invocation to Goddess"
 
      May Queen Goddess responds:
 
      I who am the fragrant spring air,
      And the soft breeze that refreshes the earth;
      The cool spring rain, the sudden shower
      That nourishes the earth.
      The source of all joy and love,
      The Goddess of all new beginnings,
      Answer your call,
      And once more I walk upon the earth.
      Seek for me; I am all around you.
 
      HPS#2 will now acknowledge the arrival of the God and Goddess:
 
      Spring has sprung!
      The God has made the world seem young again.
      The blossom blows,
      The Goddess lets the world know joy again.
 
      May Queen now breaks away from the God, and he must chase and capture her.
      (Anything spoken at this point should be spontaneous). The group should
      form a spiral from the maypole, going out to a circle, leaving a space
      between each person for the May Queen and Young God to pass in and out in
      their "love chase". While this goes on, the group should play tambourine,
      bodrhun, bells and Abo sticks in a lively rhythym. The God should event-
      ually capture the Goddess through his realisation that hunting is not the
      way to her heart!.They should embrace and kiss, and then kneel to receive
      their crowns: PS#2 and PS#3 will collect these from the altar, and place
      the crown of flowers on the Goddess' head, and the crown of leaves upon the
      God's head. PS#2 and PS#3 should then collect the swords from the altar,
      and stand either side of the altar holding the blades of the swords down.
      PS#4 should collect a bouquet of flowers, and present these to the Goddess.
      The God and Goddess should now lead PS#4 and the rest of the group around
      the Temple in a simulation of their journey to the Blessing of their Union.
      At a given signal, PS#2 and PS#3 will stand in the North, and make an
      archway with their swords through which the God, Goddess and Handmaiden
      will pass. As they do so, HP#1 says:
 
                                                                             1747
      
 
           Hail to our King and Queen!
           For love fulfills an ancient law,
           Born before the Gods and Men,
           Decreed of old when all was still.
 
      HPS#1 and HP#1 will be standing at the altar, and the God and Goddess will
      kneel to receive the blessings of their predecessors (ie, the God and
      Goddess of the previous cycle). The Goddess will hand her bouquet to the
      Handmaiden, who will replace it upon the altar. 
 
      HPS#1 reads the Blessing of Love:
 
      Love is like a flower in the desert.
      It is like the aloe of Arabia that blooms but once and dies;
      It blooms in the salt emptiness of life, and the brightness of its beauty
      is set upon the waste as a star is set upon a storm.  It hath the sun above
      that is the spirit, and about it blows the air of its divinity.
 
      There is only perfect flower in the wilderness of Life:
      That flower is love!
 
      There is only one fixed light in the mists of our wanderings:
      That light is love!
 
      There is only one hope in our despairing night:
      That hope is love!
 
      All else is false. All else is shadow moving upon water. All else is wind
      and vanity.
      Who shall say what is the weight or measure of love?
      It is born of the flesh, it dwelleth in the spirit. From each doth it draw
      its comfort.
      For beauty it is as a star.
      Many are its shapes but all are beautiful, and none know whence that star
      rose, or the horizon where it shall set. 
      And I say unto you, that every man and woman is a star, and therefore,
      every man and woman is love.
 
                                                                             1748
      
 
 
          HP#1 and HPS#1 perform the Blessing of the Union. HP#1 says:
 
      Dancers to the Gods of Love,
      We bless you in these sacred signs:
 
      [Perform blessings, loosely bind hands with cord]
 
      Spread your blessing on the land,
      Fulfill with love the ancient law:
      Fruit and corn for man and beast,
      And love for evermore.
 
      [remove cord]
 
      HP#1 and HPS#1 assist the God and Goddess to rise with a kiss.
      PS#2 and PS#3 replace their swords upon the altar, and pick up a dish of
      cakes and a chalice of wine. They hand the wine to the God, and the cakes
      to the Goddess, saying:
 
           Please bless this food and wine into our bodies, bestowing 
           health, wealth, love and compassion, and that deep joy which 
           is the knowledge of Thee.
 
      They step back while the God and Goddess bless the wine and cakes. The "Io
      Evohe" chant is initiated by HPS#1 and HP#1, and everyone else joins in.
      (Note: this is a joyful celebration of the good things of the Earth which
      the God and Goddess provide for us, so the chant should be lively.) The
      Handmaiden then steps forward to receive a cake, and a sip of wine. She is
      followed by PS#2 and PS#3, and then the rest of the group ending with HPS#1
      and HP#1, who take the wine and cakes, and offer them to the God .
      and Goddess, then replace them upon the altar. 
 
      The God and Goddess now embrace around the maypole, and everyone .
      takes a ribbon (male/white, female/red) to dance around. Minstrel .
      now plays the maypole dance, and everyone begins: men go in a .
      widdershins direction, female in a deosil one. The dancers go .
      under the first person, over the next, under the next, and so on .
      until the ribbons are used up. The dancers must then unwind the .
      maypole, so everything is reversed (tip: keep watching your own .
      ribbon!)
 
                                                                             1749
      
 
          After the dance has ended, Young God and May Queen are released from
      the Maypole (!), and they read the Beltane Charge:
 
      YG        I am the burning flame of inspiration
                Bringing light and life to the world:
 
      MQ        I am the burning flame of love
                Which creates light and life in the world:
                
      YG        I am the rushing stream, sweeping all before me:
 
      MQ        I am the deepest ocean, taking all within me:
 
      YG        I am the swiftest wind that carries the seed:
 
      MQ        I am the gentlest breez which kisses the land:
 
      YG        I am the mighty mountain which caresses the stars:
 
      MQ        I am the smallest leaf which falls in the forest glade:
 
      YG        I am He! The Lord of Life and Death;
                The Keeper of the Gates, the Hunter and the hunted:
 
      MQ        I am She! Queen of the darkness and the light;
                Guardian of the Veil, the Mystery of Creation:
 
      YG/MQ     Together we stand, and in the power of our love
                shall the wheel turn.
 
      They now perform Cakes and Wine - servers step forward to assist.
 
 
 
      The Feast
 
 
          TO END THE RITUAL
 
 
 
      HPS#1 READS THE BLESSING PRAYER
 
 
 
      All take their athames, and support the HP and HPS as they thank, and bid
      farewell to the Quarter Guardians.
 
      Formal Grounding of the Power.
 
      All present make their farewells to each other, and leave the Temple.
 
                                                                             1750
 


Next: Candlemas Ritual 1987 (Coven of The Serpents Eye)